Torrent details for "Fragment 53 2015 720p web YTS" Log in to bookmark
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Category:
Language:
en
Total Size:
649.0 MB
Info Hash:
C2693438112E3A5D5C988C15BCE80172344DE865
Added By:
Added:
July 22, 2023, 8:32 p.m.
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Name
DL
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Title:
Genre:
Runtime:
1:11:00
Hours -
Rating:
6.7
Director:
Federico Lodoli, Carlo Gabriele Tribbioli
Cast:
…
Plot:
An evocation of the God of war introduces the film. A framework ties together and abstracts seven portraits of Liberian warriors from their context. Their voices present war as an ineluctable human expression of destructive forces that are, at the same time, universal and individual, real and archetypical.
Fragment 53
IMDB - https://www.imdb.com/title/tt4378452
NOTE
SOURCE: Fragment 53 2015 720p web YTS
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GENERAL INFO
Genre: Documentary, War
Director: Federico Lodoli, Carlo Gabriele Tribbioli
Stars:
Plot: An evocation of the God of war introduces the film. A framework ties together and abstracts seven portraits of Liberian warriors from their context. Their voices present war as an ineluctable human expression of destructive forces that are, at the same time, universal and individual, real and archetypical.
Included subtitles
English
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COVER
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MEDIAINFO
FRAGMENT 53 is a feature-length documentary film on war considered in its necessary and universal dimension, faced both as an actual and archetypical event. The phenomenon has been investigated on the field in Liberia, a country of peculiar, radical and unsettled conflicts, presenting sceneries, personalities and events ascribable to the essential warfare that the authors aim to evoke. The film develops through a set of first-person accounts selected from a wider amount of interviews with eminent warriors, generals and warlords collected in Liberia between 2011 and 2014. Seven self-contained portraits are presented one after the other, introduced by a voice-off statement from the authors and followed by an epilogue composed by nocturnal images on a set of quotations from former General Philip Wlue's vision of the world. The first person accounts of the warriors are collected and portrayed from a very close angle and position. Through a bare and restless use of a hand camera insisting on their bodies and faces, this approach maintains a continuous tightness between these fighters' accounts and the eye of the camera. Any personal and historical context is excluded from their tales in order to elevate them to a wider and impersonal dimension. This concept leads also the editing of the film that shows a series of isolated, self sufficient and not intercommunicating portraits built through jump cuts and not naturalistic close-up frames.
