Torrent details for "Mother I Am Suffocating 2019 DUBBED 1080p WEBRip AAC2 0 x264 KG …" Log in to bookmark
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Category:
Language:
None
Total Size:
2.9 GB
Info Hash:
159CC8A6E2E400B85BEC12FBF45F27CB7C6D3B70
Added By:
Added:
May 31, 2023, midnight
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Name
DL
Uploader
Size
S/L
Added
Genre:
Runtime:
1:16:00
Hours -
Rating:
6.7
Director:
Lemohang Jeremiah Mosese
Cast:
…
Plot:
The people on the dusty streets of Lesotho stare inquisitively at the young woman, who, like Jesus, carries a wooden cross on her back. She looks back into their faces, at mystically beautiful landscapes, a herd of sheep, and a pair of hands that knit unceasingly. What she sees is rendered more visually precise by the black and white, more abstract by the slowed-down images, it is filtered through memories. A raw voice-over - aware that it is not being heard by those being addressed - structures the flow of images into a cinematic lament. In this essay film, Lemohang Jeremiah Mosese succeeds in creating the chronicle of a radicalising sorrow, which steadily increases in scope from a personal farewell to the mother to a politically aware defection from the motherland. The painful process of shifting from an internal view of the small African country to an external one is visualised and commented on in a profoundly personal way - from the perspective of today, in exile, in Berlin. A pretty angel accompanies the passage. In intense, aching fashion, this unusual lament on an African story of migration sheds light on an realm of experience that is taboo and not only in cinema.
Mother, I Am Suffocating. This Is My Last Film About You.
IMDB - https://www.imdb.com/title/tt10265444
NOTE
SOURCE: Mother I Am Suffocating 2019 DUBBED 1080p WEBRip AAC2 0 x264 KG ORARBG
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GENERAL INFO
Genre:
Director: Lemohang Jeremiah Mosese
Stars:
Plot: The people on the dusty streets of Lesotho stare inquisitively at the young woman, who, like Jesus, carries a wooden cross on her back. She looks back into their faces, at mystically beautiful landscapes, a herd of sheep, and a pair of hands that knit unceasingly. What she sees is rendered more visually precise by the black and white, more abstract by the slowed-down images, it is filtered through memories. A raw voice-over - aware that it is not being heard by those being addressed - structures the flow of images into a cinematic lament. In this essay film, Lemohang Jeremiah Mosese succeeds in creating the chronicle of a radicalising sorrow, which steadily increases in scope from a personal farewell to the mother to a politically aware defection from the motherland. The painful process of shifting from an internal view of the small African country to an external one is visualised and commented on in a profoundly personal way - from the perspective of today, in exile, in Berlin. A pretty angel accompanies the passage. In intense, aching fashion, this unusual lament on an African story of migration sheds light on an realm of experience that is taboo and not only in cinema.
Included subtitles
English
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COVER
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MEDIAINFO
None
