Phillip Boutté Jr. (foreword); copyright 2021 by Sheena C. Howard (introduction and afterword); copyright 2021 by Felicia Stewart (“Cross My Heart and Hope to Die in Wakanda: Expressions of Solidarity in Black Panther”); copyright 2021 by Claudia Bucciferro (“The Symbolic, the Real, and the Ladies of Wakanda”); copyright 2021 by Olísa Yaa Tolókun and Aynda Mariama Kanyama-Jackson (“Wakanda, Pan Afrikanism, and the Afrikan Worldview: A Representation of the New Afrikana Nation”); copyright 2021 by Dominique Thomas (“Killmonger and the Wretched of the Earth”); copyright 2021 by Mikhail Lyubansky and Erynn Nicholson (“The Black Panther Is Black”); copyright 2021 by Mercedes Samudio (“The Oreo, the King, and the Wakandan Salute: What Black Panther Shows Us About Why Representation Matters”); copyright 2021 by Chateé Omísadé Richardson and L. Nzingha Samuel (“Ritual in Black Panther: The Decolonization of African Narratives and Implications for the Reclamation of African Spiritual Identification and Practice”); copyright 2021 by Chateé Omísadé Richardson (“Erik Killmonger and the Psychology of Inner-City Trauma”); copyright 2021 by Charles Athanasopoulos (“Black Radical Thought as Pathology in Black Panther”); copyright 2021 by Mishelle Rodriguez (“Vibranium Healing”); copyright 2021 by Olísa Yaa Tolókun (“N’Jadaka and Intergenerational Trauma: A Case Study of Post-Traumatic Slave Syndrome”); copyright 2021 by Evan Jones (“Representation, Identification, and Pride: Teaching with (and Through) Black Panther”); copyright 2021 by Tehia Starker Glass, Joseph W. Allen, and GiShawn A. Mance (“Identification and Decentering Whiteness in Black Panther”); copyright 2021 by Sheena C. Howard (“Cognitive Dissonance and T’Challa’s Evolution”)