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Category:
Language:
en
Total Size:
800.0 MB
Info Hash:
395A839F61937BB88803F49C318C520417110103
Added By:
Added:
Sept. 5, 2026, 12:55 p.m.
Stats:
|
(Last updated: Sept. 5, 2026, 12:55 p.m.)
Genres:
Name
DL
Uploader
Size
S/L
Added
-
2.1 GB
[21
/
12]
2026-06-03
| Uploaded by Hatchery0960 | Size 2.1 GB | Health [ 21 /12 ] | Added 2026-06-03 |
Title:
Genre:
Runtime:
1:30:00
Hours -
Rating:
1.0
Director:
John Hughes, Tom Zubrycki
Cast:
Gillian Armstrong, Jan Chapman, Phillip Noyce…
Plot:
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
Senses of Cinema
IMDB - https://www.imdb.com/title/tt22800822
NOTE
SOURCE: Senses of Cinema 2022 720p web YTS
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GENERAL INFO
Genre: Documentary, History
Director: John Hughes, Tom Zubrycki
Stars: Gillian Armstrong, Jan Chapman, Phillip Noyce
Plot: As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
Included subtitles
English
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COVER
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MEDIAINFO
This history of the co-op film movements of Sydney and Melbourne comes from two of the major figures in Australian documentary who were intimately involved in the filmmaking groundswell that first emerged in the 1960s. The Ubu group in Sydney, born from the influence of avant-garde filmmaking mingled with a rich range of social movements including unionism, feminism, Indigenous self-expression, and queer theory. A few names should give you a sense of the main participants here: Philip Noyce, Gillian Armstrong, Albie Thoms, Stephen Wallace, Martha Ansara, Essie Coffey, and many, many others. This is the story of the rise of alternative forms of filmmaking, and their fall at the hands of government agencies. It is a story of a road not taken, but of a moment full of possibility when fresh voices and new ways of seeing struggled to establish themselves in Australian cinema.
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